Sunday, September 13, 2020

Zinnias in Glass

Zinnias are by far my most favorite flower to paint. First off... what about those colors? It is pure joy to  squirt out hefty piles of pinks and yellows and oranges and just letting them swirl. How about the structure of the blooms? They are architectural masterpieces, with so many interesting details, big chunky centers and sturdy petals not to mention an array of assorted shapes. Finally, zinnias have a very long hang time... they really do hold their shape and keep their perky little heads up for many, many days. Knowing ahead of time that I do not have to race to finish the painting because the flowers are NOT wilting before my eyes, leaves me with a wonderful sense of calm that I believe translates into the finished piece. Before the zinnia season is over here on the eastern end of Long Island... I plan to do another still life, and then a landscape of the farm that grows them. Wish me luck and ... I'll keep you posted. 


Monday, July 6, 2020

Turtle Island in Late Spring

The eastern coast of Long Island is populated by clusters of cedar trees that provide structure and color to the overall deciduous environment in winter and early spring. I've begun painting them and exploring the way they punctuate this landscape that I have loved since my childhood. Pictured here is Turtle Island, the magical isle I would swim out to in summer. I can remember exploring it in my wet bathing suit with bare feet hopping over rocks and shells, always in search of something. The victory of an abandoned bird's nest, or a dried clutch of wildflowers meant swimming back with the treasure held high above the water. They were my most favorite days, and so imagine the joy I had painting this place over 50 years later.
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Saturday, June 20, 2020

Stand Your Ground

This is quite a departure from my usual subject matter... well, its flowers, and I often paint flowers, but here's what is different. The three foxglove plants are still in their pots. I bought them at the nursery when it was still cold and rainy outside. So, I set them up in my studio and draped a neutral colored cloth behind them. It was a delight to paint the little bells on the long stems, but when it came to the background, it made no real sense to paint it as a drapery. So I used my imagination, took a bit of artistic license and conjured a gloomy, mysterious sky behind it. Very different for me, but I think it worked.
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Tuesday, June 16, 2020

Dancing Roses

It was such an amazing experience making this painting. I stood before this every changing, moving, shifting, blooming, fading burst of color for four days... and tried to translate its beauty, to pin its glory down and contain it within a 30" x 40" two-dimensional space. How crazy am I to even try? Crazy happy. Crazy content.
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Wednesday, June 10, 2020

Orange Roses

Experimenting here with the warm orange tones of the roses against a white backdrop of cool blues. There is a magic that happens when working with complimentary colors and different temperatures. Overall, I think this was a successful exploration.
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Sunday, June 7, 2020

Looking for an Uplifting Story?

Hardcover Available Here

I am so delighted to be launching my first children's book today. It is a delightful tale about the contentment found in connection with other kindred spirits and the restorative power of Nature. Perfect for these times. Learn more about the story here.

Thursday, May 28, 2020

Cut Lilacs in Glass

When you plop a bouquet of freshly cut, amazingly fragrant lilacs into a vase and get ready to paint it, the temptation is to start right in on the blooms. I have found though, that consideration of the leaves and branches is vital to the overall appeal of the composition and the subsequent success of the painting. The subtle turns and arched extensions of the greens are like the arms and legs of a modern dancer, it's where the yearning and maybe even the tension lay.