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Here is another from my plein aire landscape workshop with artist Ben Fenske. It happens to be of the marina where I met my husband back in the day when we were kids. Sweet memories, and if I say so myself, a sweet little painting!
Friday, July 26, 2013
Thursday, July 11, 2013
Lattice Roses
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This is a little painting I did last week in preparation for the plein aire workshop I am taking this week with artist Ben Fenske. Ironically, this painting was not really helpful at all. What I am learning this week about my landscape painting, is that I tend to miss the "big picture," by focusing on a "detail" in the scene. (I not only stop to smell the roses, but I get too close and paint them, too.) It has been difficult for me to paint with a wide range of vision. I am working on it, and will post more paintings from the workshop in the next few days.
This is a little painting I did last week in preparation for the plein aire workshop I am taking this week with artist Ben Fenske. Ironically, this painting was not really helpful at all. What I am learning this week about my landscape painting, is that I tend to miss the "big picture," by focusing on a "detail" in the scene. (I not only stop to smell the roses, but I get too close and paint them, too.) It has been difficult for me to paint with a wide range of vision. I am working on it, and will post more paintings from the workshop in the next few days.
Wednesday, July 10, 2013
Wainscott Trees
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I am taking a plein aire landscape class with artist Ben Fenske through Sag Harbor Fine Arts Center. Here's today's effort. It was a very hazy day, and I was looking into the sun. So, as Ben pointed out in his demo before we got started, I could expect the sky to be the lightest value in my painting and the vertical planes (the trees) to be in shadow. It was incredibly helpful to be armed with this information before heading out into the field to try and "see" it/ "find" it for myself.
I am taking a plein aire landscape class with artist Ben Fenske through Sag Harbor Fine Arts Center. Here's today's effort. It was a very hazy day, and I was looking into the sun. So, as Ben pointed out in his demo before we got started, I could expect the sky to be the lightest value in my painting and the vertical planes (the trees) to be in shadow. It was incredibly helpful to be armed with this information before heading out into the field to try and "see" it/ "find" it for myself.
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