Sunday, January 30, 2022

Reveling in Cherry Blossoms



One of the pleasures I have as an artist is exploring color and color combinations. I was so drawn to paint these pink little puffs with a golden mustard color as the background. The violet shadow tones in the blossoms "sang" beside the yellow, pushing the pleasure of painting and viewing this piece when finished. 

 

Monday, January 24, 2022

Cherry Blossoms


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Making this painting was a first on a few levels.  It is the biggest painting I've made to date, 48"x44". Additionally, it was the first time I painted a tree inside my studio. Well, maybe not the whole tree. 

I actually bought three cherry blossom branches from my local florist, and then brought them into my studio, plopped them in a bucket of water and started painting. Having the branches inside meant I could take my time with the little dangling puffs of pink,  and pay attention to the value  and color changes on these intricate, delicate forms. It was lovely to get up so close to them for a thorough study. 

Following the twisting, rising lines of the branches and foliage was dizzying at times. I had to push the perspective to create the sense of the branches reaching up, while putting thick bold paint on the thicker bark  sections at the base.  The chance to spend so much time intimately contemplating the beauty of these boughs was like a blessing. 

Wednesday, January 5, 2022

Pantone 2022 - Very Peri


Pantone chose Very Peri as the IT color of 2022. The purplish tone encourages individual inventiveness and creativity. Game on. Let's get some Very Peri on the walls. This little collection of recent work is a good start. 

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Saturday, January 1, 2022

Cherry Blossom Jubilee


My local florist sells cherry blossom boughs in early spring. I bought one, and brought it into my studio. The branch, plopped in a bucket of water, stood patiently while I placed different color swatches behind it, "feeling" for the right match. The pink flowerets seemed to sing when I put the turquoise cloth behind them, and that, of course, was the tell. 

Painting nature indoors is a curious thing. Without the elements, I could explore the details of the leaves and bark and buds almost leisurely, and at eye level, which was very sweet. But at times, especially as it started to die, the cherry branch seemed painfully out of her element. I realize now, that it was the turquoise cloth which echoed an open, free sky that helped soften the story of this wild beauty, held captive inside the walls of my studio.