Friday, November 16, 2012

Bridgehampton Pumpkin Farm

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I wanted to participate in the art fundraiser for Hurricane Sandy victims offered through Daily Paintworks. So I set out with my easel and headed to this farm in Bridgehampton which is located on the south shore of eastern Long Island. The farm touches on Mecox Bay and had clearly been flooded during the storm. Here it was a week later, and the grounds were still very wet and puddled. Two farmers happened to walk out across the field while I was painting, and I overheard them talking about how high up into the farmland the bay waters had come during the storm. They remarked that it was like nothing they had ever seen before.

Monday, November 12, 2012

Copper Pot of Sunflowers with Pears

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Since sunflowers last a long time, I decided to create a large painting of this still life.  It is 11"x14" - way bigger than my usual 6"x 6" -  and took two sessions to complete. The sunflowers held up nicely. Overall, they are a very forgiving flower to paint, unlike roses where one false stroke, and you might end up with a tulip on your hands... or canvas! Think I might be off to buy another bunch of these beauties tomorrow. Available as a note card.

Friday, November 9, 2012

Sunflowers and Pears

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There is a wonderful little farm stand just down the road from my house. The other day in the pouring rain, I pulled over, ran in and grabbed up this bouquet of sunflowers. "Oh, won't these brighten up your house on such a gloomy day," said the owner as she wrapped them up. Little did she know what I was really going to do with them when I got home!

Wednesday, November 7, 2012

Half Measures

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This painting was as much about space and atmosphere and emptiness as it was about the the apples and the rose. I am loving the pursuit of these invisible entities and sensitivities in my paintings.

Tuesday, November 6, 2012

Sunday, November 4, 2012

Two Roses and Two and a Half Apples

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I am experimenting with point of view. I have noticed that my compositions are clearly more challenging but may also be more interesting when I am looking down on the still life. I have had to get very close to my shadow box and have needed to put my easel off to the side a bit. Basically, I was contorted when I painted this... but it was so worth it!

Friday, November 2, 2012

Yellow Rose Surrounded by Apples

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I broke out the palette knife on this one as I strive to create atmosphere in my still life paintings. Again, I am trying to pay close attention to value and notice lost and found edges. This time, I also applied the paint a bit thicker than usual, and am very happy with the outcome.