Scattered Peaches and Stacked Plates

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I have a beautiful milk glass table on my screened in porch and late in the day, the sunlight shines on it in a burst of warmth and brightness. One afternoon this past summer, I scattered peaches across the tabletop just at that time of day and stacked a few white plates as well. Then, the race was on to get the color, the shadows, the reflections ...  the painting done before the sun moved and the magic was over. Painting at such a fast pace manifested a loose, almost abstract painting with thick application of the paint. I like what happened and am curious and excited to paint like this again.

Summer Table Setting

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I know it is a little late in the season to post a summer scene, but I had forgotten to take a picture of it back in August when it was painted. So, here you go. A little taste of summer in November.

Hydrangea and Oranges

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This is the final in my hydrangea series. I found it difficult to create the bigness of each hydrangea bloom, while tending to the delicacy and airiness of each little floweret within the blossom. It was a painting paradox, for sure. Comparatively, the oranges and pottery were quite straight forward.

Lilies in White Jug with Pears

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I am pleased with the movement of color around and across the white jug in this painting. I feel it  captures the sunlight as it bounces off the books, pears and tabletop. Painting "white" by putting color into it, is a total rush for me. There once was a time when I couldn't even see color in white, never mind paint it. It is wonderful to continue to advance in my ability to really see. Ironically, it comes at a time in my life when I have to wear glasses!

Sunflowers and Blue Bottle and Pears

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This is a painting I did a few weeks ago, and have been meaning to post. Creating a still life in plein aire and alla prima was a double challenge. I had to work quickly. I had to be precise about what I was seeing. I had to really look at the values. I find this all to be very rewarding because my primary purpose as an artist right now is to stay loose and painterly. Plein aire and alla prima sort of force that to happen. When I work this way, not every painting is a keeper. In fact, some are truly bad. The ones that work out, however, are very satisfying to me.

Daffodils with Bottles

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I have a lovely crop of daffodils this year growing outside my front door. I swear that every time I walk by them I can hear them screaming, "paint me, paint me!" They certainly do make very cooperative subjects - heads held high, draped in bedazzling color and compliments to my blue bottles. The only downside to these yellow marvels is their short life span, just about two weeks. I am painting as fast as I can!

Demitasse in Blue

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I have certainly worked this still life set-up to death, but I don't care, I have thoroughly enjoyed it. Honestly, when I find an arrangement of objects that "works," I think it is a good idea to get as many variations from it as possible. It helps me get a better handle on painting, in this case, the apples, the bottle, the orchids and cup. Overall, I am very satisfied with my "orchid series."

A Little Demitasse and Orchids

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I found a set of demitasse cups and saucers at a local thrift store. They are so sweet, and just the right size for my shadow box still life setups. I love the little glint of gold along the lip of the cup. So fun to paint.

Orchids with Sugar Bowl and Bottles

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I am so excited to have remembered a painting process that I read about years ago in Richard Schmid's book Alla Prima and just recently saw demonstrated by Daniel Keys in one of his painting videos. The basic idea is to look at the still life, determine the shape and color of an area and then put that color and shape directly onto the canvas. Return to the still life, look again, determine the next color and shape you see and then put that down directly onto the canvas. There is no underpainting, no glazing, no reworking. One precise color, value and shape placed repeatedly on the canvas until the painting is complete. When I DON'T use this method, I often find myself "repainting" the painting several times over which is obviously very inefficient and incredibly frustrating. I am so happy that I was reminded of Schmid's technique by watching Key's video. I am determined not to slip back into my old lazy painting habit of just going round and round on the canvas until it all works.

Orchids to Scale

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Please remind me NOT to put a round object dead center in the middle of a still life set up ever again. It is absolute self-sabotage.

Orchids and Apples

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My grocery store sells small orchid plants. I bought a few the other day. They are perfect for still life. The blooms last quite a long time and the buds open slowly. I think I feel an "orchid series" coming on.

Kelly's Carnations and Fruit

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I was lucky enough to "win" the centerpiece at my friend Kelly's baby shower. The bouquet of pink carnations came wrapped with pink and blue ribbons. For this still life, I removed the blue ribbon. Yes, it could be that the blue ribbon just didn't work in the composition, or....  it could be that I think she's having a little girl!!  ;)

Pink Carnations and Fruit

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I was so happy with my still life setup from yesterday, that I decided to add to it, and go a bit larger. Usually I work pretty small, on 6 x6 inch panels. It was nice to have a little extra "elbow room" today. This is an 8 x 10 inch !

Little Green Apples with Ribbon

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My focus here was composition and color. Regarding composition, I wanted the ribbon to draw attention up to the apples and then around the rest of the painting.  The pink of the flowers peeking in from above literally brings it full circle. Oh, and the greens... lots of fun making some warm and keeping others cool. Happy Valentine's Day.

Green Apple Stacked

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I love clean color. I love reflected color. I love color that bounces and moves your eye around the piece.   I love color that captures temperature. I love color that pops and sings. Hooray!

Orange Slices

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I had so much fun with this one. It amazed me to observe how those oranges literally changed color in response to the colors I put around them in the reflections, the background and the foreground. It only underscores the importance of setting the color, saturation and temperature of the painting's focal point first and then moving on to painting other aspects of the piece in support of those initial choices.  Otherwise, you can just chase your tail!

Green Apple in Blue

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It has been a VERY slow painting start for me this new year, what with Christmas, and house guests, and colds and flu. So, today I HAD TO PAINT. I was like a wild woman dashing around the house trying to put together an interesting still life setup. All that I had in the way of fruit was this one green apple. I had a few decent sprigs left from a week old bouquet of flowers and my trusty blue bottle. I threw in some interesting shadows and reflections, and "wha la!" Happy and satisfied... the creative itch, scratched.

Sunburst Through Bottle

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I love when the sun bursts through glass. I love when the sun bursts through anything for that matter. So when it happened that the sun burst through the window just behind the still life I was in the middle of painting, I worked frantically to catch it. I abandoned the idea of the set up in a cool north light as I had been working it, and quickly added in the long blue shadows brought about by the sun. I stroked more yellow into the bottle and the sunlit top of the pears. Then, almost as fast as it came, the sun blast left. In spite of how rapidly I had worked, the painting was not finished. What to do? Like a patient wild game hunter, I decided to lay in wait at the same time the next day. With my paint brush in hand, I was ready when the sudden sunburst returned. It remained just long enough to capture its effect. Ahhh.

Lemon Yellow Roses

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Boy, Christmas will screw up plans for a painting a day! Feels like I've been away from my easel for months. Anyway, I am back at it and oh so happy. Believe it or not, these roses are from my garden. It is the end of December and I live on the east end of Long Island, NY, and my rose bushes are still supplying me with THE most beautiful subject matter for my paintings. Global warming, perhaps? I'd rather think of it as a Christmas miracle!

Old Bottle and Pears

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So there's a little story about this bottle. My husband and I often take walks through a nature preserve near our house. The last time we went out for a walk was just after Hurricane Sandy had blown through our area. There was a lot of erosion and in one upturned section, we noticed broken bits of pottery lying exposed in the dirt. We started to dig and unearthed this beautiful green bottle. A piece of the pottery found at the same time had markings dating it back to the 1880s. Maybe I should have called this piece, 'Really Old Bottle and Pears!"