Orange Slices

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I had so much fun with this one. It amazed me to observe how those oranges literally changed color in response to the colors I put around them in the reflections, the background and the foreground. It only underscores the importance of setting the color, saturation and temperature of the painting's focal point first and then moving on to painting other aspects of the piece in support of those initial choices.  Otherwise, you can just chase your tail!

Green Apple in Blue

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It has been a VERY slow painting start for me this new year, what with Christmas, and house guests, and colds and flu. So, today I HAD TO PAINT. I was like a wild woman dashing around the house trying to put together an interesting still life setup. All that I had in the way of fruit was this one green apple. I had a few decent sprigs left from a week old bouquet of flowers and my trusty blue bottle. I threw in some interesting shadows and reflections, and "wha la!" Happy and satisfied... the creative itch, scratched.

Sunburst Through Bottle

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I love when the sun bursts through glass. I love when the sun bursts through anything for that matter. So when it happened that the sun burst through the window just behind the still life I was in the middle of painting, I worked frantically to catch it. I abandoned the idea of the set up in a cool north light as I had been working it, and quickly added in the long blue shadows brought about by the sun. I stroked more yellow into the bottle and the sunlit top of the pears. Then, almost as fast as it came, the sun blast left. In spite of how rapidly I had worked, the painting was not finished. What to do? Like a patient wild game hunter, I decided to lay in wait at the same time the next day. With my paint brush in hand, I was ready when the sudden sunburst returned. It remained just long enough to capture its effect. Ahhh.

Lemon Yellow Roses

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Boy, Christmas will screw up plans for a painting a day! Feels like I've been away from my easel for months. Anyway, I am back at it and oh so happy. Believe it or not, these roses are from my garden. It is the end of December and I live on the east end of Long Island, NY, and my rose bushes are still supplying me with THE most beautiful subject matter for my paintings. Global warming, perhaps? I'd rather think of it as a Christmas miracle!

Old Bottle and Pears

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So there's a little story about this bottle. My husband and I often take walks through a nature preserve near our house. The last time we went out for a walk was just after Hurricane Sandy had blown through our area. There was a lot of erosion and in one upturned section, we noticed broken bits of pottery lying exposed in the dirt. We started to dig and unearthed this beautiful green bottle. A piece of the pottery found at the same time had markings dating it back to the 1880s. Maybe I should have called this piece, 'Really Old Bottle and Pears!"

View towards Pumpkin Farm

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I went back to the pumpkin farm. The combination of the barn in the far distance, the dash of bright orange mid-range and the opening in the rustic fence make for a winning composition. Not to mention, the spot is so peaceful, located at the end of a long road just near the bay. On this day, flocks of geese flew overhead all afternoon in their typical V-formation, while swans floated out on the bay. I will definitely be going back... soon.

Farm in December

I am falling in love with painting outside, especially in winter. It is so quiet. I am finding that it's best to be out painting by 10 o'clock in the morning. That gives me steady light until around 2:30. During that span, the light changes, but subtly. Once 3 o'clock hits, the sun starts to take an ever-quickening nose dive into night. I now understand that old cowboy line,"move it along, we're burnin' daylight!"

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