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Thank goodness for grocery store bought lilies. They are getting me through these bitter cold winter days when painting out of doors is out of the question. So, in my warm studio I sit and try to capture the beauty of these scented, sensuously shaped blooms.
Tuesday, January 7, 2014
Sunday, January 5, 2014
Lilies by the Window
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My new studio space in Sag Harbor has two beautiful French doors. I decided to make use of them in this still life setup. Being able to "see" out the window past the jug of lilies increases the perception of depth in the painting. Needless to say, I will be featuring the doors in future compositions.
My new studio space in Sag Harbor has two beautiful French doors. I decided to make use of them in this still life setup. Being able to "see" out the window past the jug of lilies increases the perception of depth in the painting. Needless to say, I will be featuring the doors in future compositions.
Saturday, January 4, 2014
Lilies in White Jug with Pears
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I am pleased with the movement of color around and across the white jug in this painting. I feel it captures the sunlight as it bounces off the books, pears and tabletop. Painting "white" by putting color into it, is a total rush for me. There once was a time when I couldn't even see color in white, never mind paint it. It is wonderful to continue to advance in my ability to really see. Ironically, it comes at a time in my life when I have to wear glasses!
I am pleased with the movement of color around and across the white jug in this painting. I feel it captures the sunlight as it bounces off the books, pears and tabletop. Painting "white" by putting color into it, is a total rush for me. There once was a time when I couldn't even see color in white, never mind paint it. It is wonderful to continue to advance in my ability to really see. Ironically, it comes at a time in my life when I have to wear glasses!
Sunday, December 15, 2013
Scallions
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I think it was important that I indicated the table in the upper right corner of this painting. Otherwise, the plate and scallions would have appeared to be floating. I loved painting all the different greens in the stems and found getting the glossy sheen on the ends of the scallions, equally absorbing.
I think it was important that I indicated the table in the upper right corner of this painting. Otherwise, the plate and scallions would have appeared to be floating. I loved painting all the different greens in the stems and found getting the glossy sheen on the ends of the scallions, equally absorbing.
Sunday, December 8, 2013
Orange Roses in Turquoise
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I have a love-hate relationship with painting in natural light. I hate that painting in natural light means painting in ever changing light which of course, is frustrating and confusing and turns up the pressure. However, painting in natural light also means I don't have enough time to get fussy or to over work and over paint the subject. Ultimately, if all goes well, and I get the piece done in natural light, I am left with a painting that reflects decisive value choices, deliberate brush strokes and an overall loose, painterly feeling. In other words, I end up with the kind of painting I want to make. Moral of the story, get out of the shadow box and into the light.
I have a love-hate relationship with painting in natural light. I hate that painting in natural light means painting in ever changing light which of course, is frustrating and confusing and turns up the pressure. However, painting in natural light also means I don't have enough time to get fussy or to over work and over paint the subject. Ultimately, if all goes well, and I get the piece done in natural light, I am left with a painting that reflects decisive value choices, deliberate brush strokes and an overall loose, painterly feeling. In other words, I end up with the kind of painting I want to make. Moral of the story, get out of the shadow box and into the light.
Monday, December 2, 2013
Pitcher of Peonies
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I loved the abstracted, sort of frenetic way these peonies, stems and leaves arranged themselves in the pitcher. I say, "arranged themselves," because in truth, that's what happened. No matter how hard I tried to get them to conform and sit neatly in the glass, they just kept falling out in disarray. In the end, the negative space between the blooms and leaves brought a complimentary looseness to the tightly painted turquoise pitcher. This work is on view the Grenning Gallery at until mid-January.
I loved the abstracted, sort of frenetic way these peonies, stems and leaves arranged themselves in the pitcher. I say, "arranged themselves," because in truth, that's what happened. No matter how hard I tried to get them to conform and sit neatly in the glass, they just kept falling out in disarray. In the end, the negative space between the blooms and leaves brought a complimentary looseness to the tightly painted turquoise pitcher. This work is on view the Grenning Gallery at until mid-January.
Saturday, November 30, 2013
Magnolia Blossom
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Reflection and light and form and color... painting ... the quest to capture the beautiful. 'Magnolia Blossom' is currently on display at The Grenning Gallery, in Sag Harbor, NY until mid-January.
Reflection and light and form and color... painting ... the quest to capture the beautiful. 'Magnolia Blossom' is currently on display at The Grenning Gallery, in Sag Harbor, NY until mid-January.
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